James Gunn, the director of the new Superman movie, says the superhero’s story is about an immigrant from another planet. This has caused a big debate because he’s linking Superman to today’s politics about immigration. Gunn says it’s about kindness and American values, but many people are angry about him bringing politics into Superman.
Gunn openly called Superman an immigrant story in interviews. He said it shows how America has lost basic human kindness. This comes at a time when immigration is a hot topic in America. Some feel Hollywood is pushing an agenda instead of just making entertainment.
Actor Grant Gustin, who played The Flash, joked about it. He said he can’t wait to watch an “illegal alien ruin a billionaire’s plans.” This comment adds fuel to the fire. It shows how some in Hollywood see Superman as a political symbol now.
Conservatives are fed up with this woke take on a classic hero. Superman has always stood for truth and justice, not political statements. Turning him into an immigrant story feels like another attack on American values by out-of-touch elites.
This is exactly why Americans are tired of Hollywood. They keep pushing radical ideas into our favorite characters. Superman is an American icon, not a tool for liberal talking points about open borders and illegal immigration.
Ben Shapiro rightly calls out this anti-American nonsense. He sees it as part of the left’s plan to twist our culture. Hollywood keeps using superheroes to push politics instead of telling good stories. Real Americans just want entertainment without the activism.
Gunn admits the movie is political but says it’s about morality. That’s just code for pushing liberal views on the audience. They’re using Superman to lecture hardworking Americans about so-called kindness while ignoring real border problems.
This Superman reboot is another example of Hollywood disrespecting our values. Real patriots know Superman represents the best of America, not some woke immigration metaphor. It’s sad to see a beloved hero turned into a political pawn by radical filmmakers.
