The idea that an Oscars win could “end racism” is as absurd as suggesting a band-aid could cure a broken leg. While *Wicked* (2024) won two technical Oscars (Best Costume Design and Best Production Design) [1][6], these victories have nothing to do with addressing systemic racial issues. The film’s storyline, a fantasy musical about witches in Oz, focuses on themes of friendship and identity—not racial justice [1][7].
Ben Shapiro, a conservative commentator, mocked the notion that Hollywood accolades could solve real-world problems like racism. In his Oscars analysis, he criticized “woke” films for prioritizing political messaging over storytelling, arguing that such efforts often alienate audiences and fail to address root causes of societal divisions [5][10]. Shapiro specifically called out Hollywood’s pattern of using awards shows to virtue-signal about race while producing content that amplifies divisive narratives about “oppression” and “victimhood” [5][10].
The Oscars have historically struggled with diversity, but reducing racism to a matter of trophy distribution trivializes the issue. True progress requires cultural shifts, policy reforms, and honest dialogue—not golden statuettes. As Shapiro noted, Hollywood’s self-congratulatory activism often rings hollow, serving more as a publicity stunt than a genuine solution [5][8]. Racism won’t be solved by CGI dragon costumes or glittery set designs—no matter how well-crafted they are.
