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Wicked Sequel Pushes Woke Agenda, Betrays Classic Values

Hollywood’s latest sequel, Wicked: For Good, claims to deliver a “powerful” finale to its revisionist Oz saga. But let’s be clear: this trailer reeks of the same tired agendas that alienate Middle America. Glinda and Elphaba’s “friendship” is framed as some profound bond, but conservatives know real loyalty doesn’t require redefining good and evil to suit woke narratives.

The film’s obsessive focus on painting Elphaba as a misunderstood victim ignores timeless truths about personal responsibility. True heroes own their choices—they don’t blame society for their struggles. Yet here, the Wicked Witch gets a full redemption arc while traditional authority figures like the Wizard are demonized. Sound familiar?

Casting outspoken progressives like Ariana Grande and Cynthia Erivo as leads is no accident. It’s a deliberate push to normalize Hollywood’s far-left values under the guise of fantasy. Families deserve stories that uplift, not lectures about “empathy” that trample moral clarity.

The trailer’s flashy visuals can’t hide its core message: rebellion against order is noble. When Elphaba defies the Wizard, it’s framed as bravery—not chaos. But in real life, tearing down institutions leads to disaster, not fairy-tale endings.

Notice how the word “for good” is slyly used to imply radical change. Conservatives understand true “good” comes from preserving timeless principles, not upending them. This film’s version of “progress” is just more cultural sabotage packaged as entertainment.

With $750 million earned from the first film, liberals are banking on this sequel to further indoctrinate young minds. Parents beware: behind the singing and special effects lies a blueprint for relativism. Good isn’t “for good” if it’s constantly redefined.

Hollywood elites keep rewriting classic stories to fit their politics, but Americans see through the manipulation. Wicked: For Good isn’t about storytelling—it’s about shaping a generation to reject absolutes. Real art inspires virtue, not confusion.

As the November release looms, remember: every ticket bought funds this ideological machine. Conservatives must champion media that reinforces truth, not twists it. Let’s save our dollars for stories that honor the values that made America great—not tear them down.

Written by Keith Jacobs

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