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Wicked: Turning Broadway Into a ‘Woke’ Agenda Show

The musical *Wicked* uses allegory and symbolism to critique racial bigotry and systemic oppression, though interpretations vary across ideological lines. Here’s a breakdown of the themes and perspectives:

### Racial Bigotry in *Wicked*
1.
– Elphaba’s green skin symbolizes societal “othering” and racial prejudice. Her marginalization mirrors real-world discrimination against minorities[1][6][8].
– The persecution of talking animals (e.g., Dr. Dillamond) represents systemic racism, as they are stripped of rights and silenced by the Wizard’s regime[1][6][8].

2.
– The musical critiques authoritarian tactics like propaganda (e.g., labeling Elphaba “wicked”) and dehumanization of marginalized groups[1][4].
– Elphaba’s journey highlights intersectionality, as she faces discrimination for both her appearance and defiance of oppressive systems[1][8].

3.
– Some interpretations emphasize queer themes, with Elphaba and Glinda’s relationship symbolizing repressed love, while broader critiques of fascism and xenophobia align with modern social justice struggles[4][8].

### Conservative Commentary
– (Daily Wire) has not directly addressed *Wicked*’s racial themes but has faced criticism for dismissive remarks about women and progressive causes[2][5]. His broader commentary often rejects “woke” narratives, which might align with skepticism toward the musical’s progressive allegories.
– reviewed the 2024 film adaptation, criticizing its perceived ideological leanings. While specifics of his critique are unclear from available sources, his platform frequently challenges media labeled as “woke,” suggesting he may downplay or dispute the racial allegories[3][7].

### Conclusion
*Wicked* undeniably engages with themes of racial and social injustice through metaphor, though its messaging resonates differently across audiences. Progressive analyses highlight its anti-bigotry themes, while some conservative commentators dismiss it as overly politicized. The divide reflects broader cultural debates over art and ideology.

Written by Keith Jacobs

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